Showing posts with label writing craft. Show all posts
Showing posts with label writing craft. Show all posts

Wednesday, July 01, 2015

Tell The Story Writer's Workshop with Rhonda McKnight



Overview
Write It Right is an intensive workshop for fiction writers designed around the essential building blocks of fiction: plot, character development, description, dialogue, story structure and self-editing.  Other elements of fiction writing will be introduced.
Schedule
Week 1 - Getting Started and Plot
Week 2 - Character Development and Description
Week 3 – Dialogue and Story Structure
Week 4 - Self-Editing and Tips for Polishing Prose.

What You’ll Learn
·        The principles of creative writing and getting started
·        Draft Writing Techniques
·        Plotting – Who, Why and Why Not
·        Character development and characterization techniques
·        How to enhance your writing through description and sensory details
·        How to write attention grabbing openings, stake-raising middles, and resounding ends
·        Rewriting
·        Self-editing
·        Techniques to improve your dialogue-writing skills and the mechanics of structure and punctuation in dialogue
·        Specific strategies for polishing your work

What You’ll Need
A computer or phone
A writing sample
A few hours outside of class to work on exercises
A great attitude and a desire to learn

Details
Time – 8:00 p.m. to 10 p.m. EDT
Dates – Begins Monday, August 3rd  (4 sessions on Monday nights through August 24th)
Price - $175.00 full payment due by July 7th for this price.
If a payment plan is needed the full price is $200
Deposit $100 due at registration to hold place in class (non-refundable)
Final payment $100 due by July 20th

Add-ons available
·        5,000 word critique of your project - $50 (discounted 50%)
·        45 minute coaching session $35 (full price $100)
·        Both critique and coaching session $75
·        Full Manuscript Evaluation – 50% off

Note - Add-ons will be billed August 15th and must be used by December 31, 2015


Due to limited class size and first come/first serve nature of the class space, payments are non-refundable. 


Payment invoice will be emailed.  
Contact Rhonda McKnight  at rhondamcknight@gmail.com with all questions. Please include “Writing Workshop” in the subject of the email to ensure you receive a prompt response.

Tuesday, April 28, 2009

Writers Contests

SistahFaith and Amani Publishing are co-sponsoring the WordPraize Writing Contest 2009 for fiction, nonfiction, and poetry. The grand prize is a $1,000 publishing contract, a $500 editing deal, and $100 cash. For more information, click here.

Triom Publishing and Emerging Writer Magazine are co-sponsoring the Emerging Writer Awards. There is a smorgasboard of entry categories, from short stories to poetry to almost every genre of fiction to non-fiction. The grand prize winner gets $2,000, and possible publication.

Both Triom and Emerging Writer, a Triom publication, are new but the website says Triom is "an independent publishing house dedicated to discovering America's newest talents" and "not a subsidy publisher".

Deadline for entries is August 31, 2009. Winners and Finalists will be announced in November 2009. The Emerging Writer Awards was established to honor the best undiscovered writers in the English language. Whether it’s poetry, short stories, literary fiction or unpublished novels, we want to help you step out from behind the shadows. For more information click here.

God's blessings if you decide to throw your manuscript in the ring. Also consider hiring an editor to help you polish your submission. I'm available at Legacy Editing http://www.rhondamcknight.net/

Friday, April 24, 2009

Writing a mystery?


Research is critical in fiction writing. Here's an inexpensive way to learn how to keep it real.

May 4th – 29th, 2009

Skips, Lies, and Videotape : (How PIs Find the Missing, Nail the Fraudulent, and Obtain the Proof)

Instructor: Colleen Collins and Shaun Kaufman

CLASS DESCRIPTION:
If you have ever wondered what it was like to work at a PI and incorporate it into your books, then this is the class for you.

This four-week class will cover the following: The Skips: Tracing Electronically. The steps of a skip and researching on the web, along with case examples. Tracing on foot and how to dig in public records. The fraudulent: from black market to white collar and the types of investigations. Types of proof and ways to obtain the proof needed for the case.

INSTRUCTOR BIO:
Colleen Collins (http://www.colleencollins.net/) has written 20 novels/anthologies for Harlequin (including one paranormal romance thriller for Dorchester w/a Cassandra Collins). As a private investigator, she specializes in skiptracing, witness interviews, surveillances, and infidelity investigations. She and her business partner Shaun Kaufman co-own Highlands Investigations in Denver, Colorado, and also teach workshops for writers who are developing PI stories and characters (http://www.writingprivateinvestigators.com/).Shaun Kaufman is a retired trial attorney who specializes in forensic and financial investigations, domestic relations and civil surveillances, and criminal litigation assistance. Along with his investigative business partner Colleen Collins, he teaches the popular "Writing PIs in Novels" workshops (http://www.writingprivateinvestigators.com/). He has published articles on private investigations in PI Magazine as well as on the Internet.

Cost: $20

All payments for a workshop must be received by the registration deadline - May 1st .

What a steal. Visit the groups website for payment details or the contact information for questions. Click Here...

Tuesday, April 21, 2009

I'm Not Published Yet


Who’s Telling The Story?
by
Tyora Moody


Whether in the form of a short story, novella or novel, there takes some skill to write a story. Choosing a viewpoint or point of view (POV) is a vital part of the process that starts with character development. Some stories are told through one person’s point of view, while others may involve multiple points of view. In this article, I will talk about how to build your cast of characters. I will discuss the types of narration in the next article, but keep in mind, fiction is mainly told in first or third person.

The Main Characters

In a recent article, Getting to Know Your Character, I discussed character sketches. Using a journal or notebook, I like to get to know my characters through their thoughts and conversations. Not to sound crazy, but it doesn’t take long, for one of the characters to start “talking” louder than the others. The character who wants to tell the story eventually stands out as the main character or a protagonist. Every story has a protagonist, a character who has something emotionally at stake in the story.

When it comes to the romance genre, the main character usually will be the woman depending on the storyline. If the male love interest is the one who has more to lose or whose experiences make the story more interesting, he may have the main viewpoint. Either way, romances usually have two viewpoints or two main characters. The couple’s thoughts and experiences may be shared via their own chapters or scenes.

Adding Characters to Create Conflict

As you develop each character sketch, you may start to visualize a potential or existing conflict that arises between characters. The protagonist may have an enemy or an archrival. A character bent on making life difficult for the main character is known as the antagonist. Depending on your genre, you may or may not give the antagonist a point of view.

Suspense writers often like to include a few chapters or scenes that give the reader a peek inside the mind of a deranged individual. These sneak peeks make a great addition to storylines with proper timing and pacing. The reader knows what the protagonist doesn’t know - that someone really crazy is on his or her trail.

In the first few drafts of my first manuscript, I thought it would be a good idea to try giving the antagonist a point of view. It’s not easy to do because it has been done so much in commercial fiction. You don’t want to appear to be adding it just because it seems to be the popular thing to do.

In my case, I became more concerned about the reader figuring out who it was too soon. In my final manuscript, based on a critique advice, I chose to keep the antagonist off-stage and show the events mainly from the protagonist’s reactions to events.

Who Do You Really Need To Tell This Story?
With my first manuscript, , I struggled with viewpoints. In the very early drafts, I had five viewpoints. Yes, five – explains why it took me so long to wrap my head around the story. My protagonist had her scenes. Since there was a mystery to solve, the detective had his scenes. As I mentioned above, I thought the antagonist needed to show up every now and then. The other two viewpoints had a relationship with the deceased that I felt was necessary to tell the story.

I soon found, writing a story with multiple points of view can really be tricky and probably not a good idea for a novice. I do plan to try to write a novel with multiple points of view, but only if it’s necessary to tell the story. Novels that generally have a group of friends with their own stories are great examples of when you may want to use multiple points of view.

My final manuscript, When Rain Falls, has two POV’s, the main character and the detective. With the help of my critique partners, I cut numerous scenes and removed a character. The cool part of telling the story through these two characters, I was able to focus more on the romance elements. Most women who read my manuscript wanted to see something happen between the protagonist and the detective. I was able to write more scenes placing them together to solve the crime and also gradually grow attracted to each other. It brought more texture to the story.

Finalizing the viewpoints also helped me define the manuscript’s genre as romantic suspense. Romance is the top selling genre which is something to keep in mind if you choose to write primarily for female readers.

I encourage you take the time to study your characters. Make sure the minor characters are included in the story only if they have something to add. It’s not necessary to give them a point of view if it only takes away from the main character.

For Further Reading
Here are a few books on my shelf that discuss viewpoint.
· Characters, Emotions, & Viewpoint by Nancy Kress
· Writing the Breakout Novel by Donald Maass
· The First Five Pages by Noah Lukeman

ABOUT THE AUTHOR
Tyora Moody is the editor of WrittenVoicesBlog.com where she features “African American Literature that Edifies the Soul.” Known simply as “Ty” in many circles, she’s also a writer, blogger, and the owner of Tywebbin Creations, a marketing and design company. Follow her journey to publication on TyoraMoody.com.

Tuesday, April 14, 2009

I'm Not Published Yet - Only 2 days left!


Aspiring writers and new authors you don't want to miss this...

Taking It To The Next Level In 2009

Virtual Fiction Writers Conference

“Coming to a computer and telephone near you!”


Thursday, April 16, 2009 – Saturday, April 18, 2009

$50 Registration Fee Includes All Sessions!


My writer's group is back with our second annual Virtual Writers Conference. Faith Based Fiction Writers of Atlanta, formerly Visions in Print Writers Group is raising money to award a college scholarship to a Class of 2009 high school student. We invite you to attend a not to be missed Virtual Writers Conference. We’re offering seven workshops and teleconferences sessions with top selling authors and industry experts like ReShonda Tate Billingsley, Pamela Samuels Young, Vanessa Miller and more. You'll improve your writing and/or learn how to market your current work. Click here to learn more and register.
I hope to see you there!

Tuesday, March 31, 2009

I'm Not Published Yet


People who know me well, like my mama, remember that when I was a little girl I was a big Diana Ross fan. I didn’t want to just be like Diana Ross, I wanted to be Diana Ross: the hair, the voice, the glamorous persona. I bought almost all of her albums and watched as many of her HBO specials that mama would allow me to see. I still even have a Diana Ross fashion doll, complete with disco-era evening gowns and shoes. I loved her style.

As a writer, it’s taken me a while to develop and believe in my own style, my own voice, without worrying about whether my writing is as good as other authors that I admire. It’s more important for me to study the craft of writing so that I can tell my own stories well, rather than trying to imitate someone else. I had to find out who I was as a writer, which I like to call the art of discovery.

Things I’ve discovered in the process:

If there are no words on the page, there is no story, hence there is no voice. Fleshing out a story idea takes time. The first draft may not be the best draft, but at least it’s a start to the journey.

Only talking about writing a story does not create book. Writing a story creates a book. (see paragraph above)

Writers must use time wisely. Whether you have 15 minutes in the morning before everyone else in the house wakes up or you have 30 minutes at lunch, use that time to be creative. Even if you only get one or two sentences written, that’s still forward motion.

Writers read. It’s essential to expose yourself to good writing in a variety of genres, whether it’s the classics or contemporary writing.

Writers embrace their creative gifts, even when those gifts are still in the process of being molded and shaped.

I encourage other writers to seek out your own voice, your special expression. Only you can give your view of the world, your testimony. Nobody can tell your story like you can.

Tell the story that God gave you.


About the Author

Veronica Fields Johnson is a freelance writer, trivia buff, game show enthusiast and avid reader. She is a graduate of Clark Atlanta University and the President of the Faith Based Fiction Writers of Atlanta, formerly Visions in Print. She lives in Atlanta with her husband and two daughters and is currently working on her first novel.

Wednesday, March 25, 2009

Aspiring writers and new authors you don't want to miss this...

Taking It To The Next Level In 2009

Virtual Fiction Writers Conference
“Coming to a computer and telephone near you!”


Thursday, April 16, 2009 – Saturday, April 18, 2009

$50 Registration Fee Includes All Sessions!


We’re back with our second annual Virtual Writers Conference Faith Based Fiction Writers of Atlanta, formerly Visions in Print Writers Group is raising money to award a college scholarship to a Class of 2009 high school student. We invite you to attend a not to be missed Virtual Writers Conference. We’re offering seven workshops and teleconferences sessions with top selling authors and industry experts that will help you improve your writing and/or market your current work.

Virtual Workshops
Linda Leigh Hargrove

Description: Making it Real and Keeping It Relevant

Create a richly textured world that captures your reader. Learn how to add effective detail to your writing so that the reader goes on a visual and physical journey with you.
Linda’s BIO
Linda Leigh Hargrove blends suspense, humor, and faith into compelling stories about race and class in America. Her writings include two novels: The Making of Isaac Hunt (June 2007) and Loving Cee Cee Johnson (September 2008). The former environmental engineer currently resides in North Carolina with her husband and three sons where she designs Web sites when she’s not writing. She blogs at 17seeds.com and UrbanFaith.com. Her website is http://www.lindaleighhargrove.com/

Pamela Samuels-Young

How to Keep Readers Turning the Pages: A Lesson in Pacing
What is pacing? Pacing is moving your story forward smoothly. It’s a critical craft component of a well written novel. Learn how to get your groove and keep it, so you keep your readers.
Pamela’s BIO
When attorney and author Pamela Samuels Young isn’t practicing law, you can usually find her penning her next legal thriller. Described by one reviewer as “John Grisham with a sister’s twist!” Pamela is the Essence best-selling author of four legal thrillers. Pamela’s debut novel, Every Reasonable Doubt (2006), won the Black Expressions Book Club’s Fiction Writing Contest, received an honorable mention in the SEAK Legal Fiction Writing Competition and was a finalist for USA Book News’ Best Books of 2006 awards in the mystery, suspense and thriller category. In Firm Pursuit (2007) was honored by Romantic Times magazine as a finalist for Best African-American Novel of 2007. Murder on the Down Low (2008) was an “Editor’s Pick” by Black Expressions magazine and was also featured on the cover of Publisher’s Weekly. Her next novel, Buying Time will be released in November 2009. You may find out more about Pamela at her website http://www.pamelasamuelsyoung.com/

Tiffany L. Warren a.k.a. Nikki Carter

Writing the Young Adult Novel
Tiffany Warren will teach you how to write for the young adult market. Give you tips for engaging young readers with a hip voice. She’ll also share marketing tips to reach the younger market.

Tiffany’s BIO
Tiffany L. Warren, author of What a Sista Should Do, Farther than I Meant to Go, Longer than I Meant to Stay and The Bishop's Daughter ( January 2009), has long been a favorite in Women’s Fiction, but she’s released her first teen fiction book, Step To This, under the pen name, Nikki Carter. Tiffany is also the founder of the annual Faith and Fiction Retreat to be held this year in Orlando, Florida http://www.faithandfictionretreat.com/ The retreat allows readers and bookclubs to come together in a spirit of sisterhood and to get up-close-and- personal with their favorite Christian Fiction Authors. Tiffany can be reached at her website http://www.tiffanylwarren.com/ or www.myspace.com/authornikkicarter

ReShonda Tate Billingsley

What It Takes To Make a Bestseller

Ever wonder how some authors make it to the bestseller list, while others don’t? Find out ReShonda Tate Billingsley’s method for success. This is the tele-conference you don’t want to miss. Register early and pre-submit your burning questions on the topic.
ReShonda’s BIO
ReShonda Tate Billingsley is a national bestselling author with more than sixteen books under publication including her most recent adult novel, Can I Get a Witness and teen novel, Friends 'Til the End. Her other projects include the #1 Essence Magazine Bestselling Book, Let the Church Say Amen, the bestselling sequel Everybody Say Amen, and the national bestseller I Know I’ve Been Changed (all of which are currently being made into movies where she will serve as Executive Producer). She is also the author of the multiple Essence bestseller, The Pastor's Wife and five other teen inspirational novels in the Good Girlz Series, as well as her non-fiction title, Help! I’ve Turned into my Mother. She has won numerous awards for her journalism, fiction and poetry writing skills, including an international honor as Best New Author from The Black Writer's Alliance and she is a five time winner of the National Association of Black Journalists Spirit in the Words competition. Let the Church Say Amen was voted best Christian Fiction book of 2004 by the Library Journal.

ReShonda’s upcoming projects include The Devil is a Lie (July 7, 2009) and the teen book, Caught up in the Drama. She also has a book of poetry called Something to Say: Poetry to Motivate the Mind. You may find out more about ReShonda at her website http://www.reshondatatebillingsley.com/

Dee Stewart

The Business of Book Events

Learn insider secrets on how to book promotional, sales events/speaking engagements for your book.

Dee’s BIO
Dee Stewart is the owner of Dee Gospel PR Company, http://www.deestewart.com/. She is a one stop author source: editor, publicist, book marketing consultant, the Atlanta satellite for Mocha Readers Books, an Essence Magazine Reporting bookseller, and for the past three years she’s served as a Christy’s Book Awards Judge. Her writing has appeared in: Gospel Today, Precious Times, Anointed, Hope for Women, Rejoice Atlanta, Romantic Times, Spirit Led Woman, Mosaic Literary Journal, Atlanta Christian Family and Spirit Led Writer to name a few. Dee is also the owner of Christian Fiction Blog http://www.christianfiction.blogspot.com/ , a syndicated blog that highlights Christian publishing, gospel music and plays and movies. The blog gets over 10,000 hits a month.

Vanessa Miller

Independent Publishing: Who, Why and How to Get It Done Yourself.

Special - 2 Hour Tele-Conference

Thinking about self-publishing your novel? Learn who should self-publish and why. Also learn the technical A-B-C’s of how to get it done, marketing and sales.

Vanessa’s BIO
Vanessa Miller is the multi-published author of the Rain Series and the Storm Series. The books in the Rain Series are: Former Rain, Abundant Rain, and Latter Rain. The books in the Storm Series are: Rain Storm and Through The Storm. These books have received rave reviews, winning Best Christian Fiction Awards and topping numerous Bestseller’s lists, including Essence and Black Expressions. Vanessa self-published her first three books; then in 2006 she signed a five-book deal with Urban Christian/Kensington. She is currently working on the Live Right or Die Trying Series. The books in this series, although they can be categorized as suspense thrillers, will still have elements of God’s redemptive power throughout the stories. She is also preparing the stage production for the Former Rain novel. You may learn more about Vanessa at her website http://www.vanessamiller.com/

Tia McCollors

Sentence C.P.R. – "Resuscitate your sentences....bring life into your writing"

Covers the following topics:
* Description (General vs. Specific Words)
* Action: Replacing weak adverbs with strong verbs
* Emotion
* Sensory images: Using 5 senses and the "sixth sense"
* Using beats and engaging dialogue

Tia’s BIO
Bestselling author Tia McCollors entices the taste buds of her readers with a sweet blend of faith and fiction in her inspirational novels, A Heart of Devotion (January 2005), Zora’s Cry (June 2006) and The Truth About Love (March 2008). The Last Woman Standing (Sept 2009).

In addition to being a novelist, Tia is an inspirational speaker and instructor for writing workshops. In 2006, Tia was voted as the Breakout Author of the Year by the Open Book Awards of the African American Literary Awards Show and was honored to be featured in the 2006 edition of Who’s Who In Black Atlanta.

As a founding author with the Anointed Authors On Tour , (AAOT) she has teamed with six other award-winning, best-selling authors of Christian fiction and non-fiction. Together, they have committed to write and publish integrity-based literature, touring as a testament to the power of using their gifts and talents for God's glory. In addition to AAOT, Tia is a member the American Christian Fiction Writers(ACFW). You may find out more about Tia at her website http://www.tiamccollors.com/

Conference Host - Dana Pittman of Nia Promotions


How a Virtual Conference Works: A virtual conference is a conference hosted on the Internet and by telephone. Participants can attend without leaving the comfort of their home.

Who it is for: This conference is for anyone who is writing fiction, particularly those who have an understanding of basic writing and want to take their craft and marketing/promotion to the next level.

How You Will Participate: You register for the conference at http://fbfwritersofatlanta.eventbrite.com/
A few days before the conference you’ll receive instructions on how to enter the main site for the conference. On the day of the conference, the workshops are presented in the forms of articles that are posted on the conference site by the workshop presenter. Participants will review the material and post questions or comments in a threaded discussion format. The presenter will come into the forum and answer all questions. Additionally, each workshop presenter will hold a live tele-conference. (Questions for the live tele-conference may be pre-submited until the close of registration. )

Door prizes: All registered participants who are interested will be entered in a raffle to win a 5-page critique from Legacy Editing Service. Three critiques will be given away. Plus books and more.

Don't miss out on the learning or the fun! Contact us at fbfwriters@yahoo.com with questions.

*** All teleconferences will be held in the evening beginning at 7 p.m. and 8:15/8:30 p.m. eastern standard time. Saturday sessions will be held at 11 a.m. and 1 p.m. eastern standard time.

Normal telephone charges will apply.

All sessions will be available for purchase after the conference barring no technical issues.


Tuesday, March 17, 2009

I'm Not Published Yet


Story Structure: And The Crowd Roars, An Unforgettable Ending

Have you ever watched a basketball game and your team was down by a few points? They have possession of the ball and the clock is winding down fast. Whether you are sitting in the bleachers or on your living room couch, the anticipation of the final outcome has you riveted. All is quiet as the crowd watches a player throw the ball from what seems like miles from the basket. Swoosh! And the crowd goes wild! "We won! We won!"

Okay, so what does this sports analogy have do with writing the ending of a novel? Other than the fact it's March Madness, I do have a few "points" for you. By the time a reader reaches the last third of your book, there should have been some emotional highs and lows. As the writer, you are the player who has everything riding on his shoulders as he attempts to make the winning shot - that an unforgettable ending.

Think back to a book you've read where you closed the book in disgust. There have been a few books in the last few months, if it wasn't for the fact I'm a mature adult, I would've thrown it across the room. The endings were either rushed, didn't make a bit of sense or just left me hanging with questions.

Let's review a few elements you can use to please your crowd (readers).
1) Increase the Tension
Keep the tension tight by creating page-turning scenes that flow. You want to keep the reader on the edge of their seat (bed, wherever they are reading). Now, creating tension can be a bit tricky. You can either make the story move too fast or painfully slow.

Lately, I have been reading romance novels, which I rarely read, but I am now for research purposes. Some of the tension towards the end in some of these novels were a tad bit on the soap opera side which just slowed down the reading experience for me. While your novel is meant to entertain, keep it realistic and keep in mind your readers wants a feel good story, but also don't want to be insulted in the process.

If you write suspense or mystery, don't drop too many surprise or twists as a way to create tension. You might leave the reader scratching their head, trying to figure out where are you going with this drastic turn of events. The ending is NOT the time to lose your reader's focus (Well, actually you never want to do that).

2) Don't Forget to Conclude your Subplots
You are going to have to tie up loose ends, especially those created through subplots. Don't be tempted to overload the reader in the last few pages. If you are plotter, you might want to really review your outline to see where you can wrap-up minor story lines. A pantser (seat-of-the-pants writer), should still go back to review previous scenes.

When a few of my critique partners started asking similar questions about my manuscript, it dawned on me, that I had not full developed and completed a subplot, even though my ending made sense. So, remember if you don't resolve loose ends, the reader will have questions even after the conclusion of the book.In some cases, no matter what you do, readers will still be curious about characters. I know many authors who have completed a novel, but those characters (or fans insisted) wanted to come back to life. It's quite possible a minor character may receive the starring role in a future book.
3) The Defining Moment
In every story, ever written, the protagonist (main character) has a defining moment. The reader will find out if your character is a hero/heroine or a wimp. If they are going to stay the same or burst forth into a new level of maturity. This particular moment works very closely with the tension you've created up until this point. Your character may have to make a life-changing decision. She could be fighting for her life. The antagonist (or villain) may have the advantage and there's just no possible way for the outcome to turn out in the protagonist favor.
You can visually see this moment demonstrated in movies and television. Think about your favorite movie or recent episode. Were you on the edge of your seat (remember the basketball scenario earlier)? Did you start crying or fussing at the screen (like they can hear you)?Brainstorm some ideas and work on writing something fresh. A defining moment can really push the reading experience up a notch or dash it to pieces.
4) Provide Closure For Your Readers
The overriding motivation to finish a book is to find out the conclusion. Who was the killer? Will John and Jane finally be together forever? Will Karen experience freedom from her childhood secret?

However you are led to end a novel, try to bring some closure to the reader. I've noticed with serial books, where the author will be publishing book two or three in a few months, they may leave some unanswered questions on purpose. I personally don't like this because some publishers pump these series books so fast, it's hard to keep up with them. I'd rather read a book and have a satisfying ending with the choice of continuing to read the series.
With all that said, I must add there is nothing quite like typing "The End." I don't know about other writers, but for my first time, I felt like I heard "a crowd" roaring in my ear, "You did it!"
This concludes the Story Structure Series. Add a comment to the post to let me know if this series help you. Next month, I will start a series on "points of view".
Be Blessed!
ABOUT THE AUTHOR
Tyora Moody is the editor of WrittenVoicesBlog.com where she features “AA Literature that Edifies the Soul”. She often finds herself trying to juggle various hats on her short frame. Those hats include being a military wife, writer, blogger, book reviewer, web developer, and “momma” to two spoiled cats. Follow her journey to publication on TyoraMoody.com.

Tuesday, March 03, 2009

I'm Not Published Yet

My columnist for "I'm Not Published Yet" was unable to submit today, so I thought I'd take the time to give some advice to unpublished writers who are working their way towards achieving their dream.

Writing Tips
By
Rhonda McKnight

Ah, "The End". I can't think of words I've ever written that were more satisfying. Not even a final paper for my bachelor's or master's degree gave me the rush I had when I typed "The End" on my first manuscript. I began writing at the age of six, so "The End" was more than thirty-three years in the making. I cried for at least an hour. Thanked God over and over again that he had moved me to this point and reflected on the goodness of the writing community that had helped me achieve my dream. I'd like to pass on the ten tips that helped me the most. If you're a writer you may have heard them before, but getting a reminder never hurts, because sometimes we find that we're not really doing the things that people advised us to do either because we forget them, we don't think they'll work, or we just hadn't figured out a way to incorporate it. I know, been there done that, especially the forgot it after I heard it part. I am good for getting a lightbulb moment and then getting home and sitting in the dark. So here are my tips:

1. Plot out your story. There are very few truly organic writers and you're probably not one of them. Take the time to sit down and think through the entire book. If you ever become a professional writer you'll have to do this to sell more books, so learn it out right.

2. Write often, daily if you can. You have to have butt in the chair time to get to "The End", plus writing often keeps the story fresh.

3. Don't self-edit while you're writing. I CANNOT emphasis this enough. That's for advanced writers. Get the first draft down before you go back and try to fix anything. You'll make yourself crazy trying to perfect what you've written. Draft writing and rewriting/editing are different processes, so let them be different.

4. Read craft books and/or take writing classes. Executing a saleable commerical fiction novel is not just art, some of it method. I'm sure you've heard terms like opening hook, beginning, middle, end, goal, motivation and conflict, black moment, three act set up, scene and sequel, etc, etc... These are some of the components to a story and no good novel is written without them. Learn how from the experts and save yourself time.

5. Do the stuff you learn in the books and classes. Check your writing to make sure you're practicing what you've learned. For example if you read a book on description, look at your descriptions and analyze if you're doing what the craft books suggest.

6. Join a critique group or find some one to help you with your work. If you dont' have access to a local writer's group, try an online group or invest in a writing coach (like me!). Be prayerful about this. The Lord will lead you to the right people.

7. Be teachable. Learn from the critique process. Take what you can use and leave what you can't in the wind, but learn something, because in most critiques there's something of value that can help you.

8. Reach out to other writers. I know in the Christian Fiction community, most authors and writers are friendly people who love to help and share advice. Don't ask anyone to read your entire manuscript and help you edit it, that's unreasonable, but don't be shy.

9. Read well written books. Learn from the best.

10. Trust the creativity is really inside you. If God has called your to be a writer, you have it in you, you just have to do the work to get it out.

Hope this helps.

Happy Writing!

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About my novel - Secrets and Lies

It’s hard enough to keep a secret without telling a lie, but when you’re married it’s almost impossible. In Secrets and Lies, the Morgan’s marriage is collapsing under the weight of both. Against the backdrop of old memories, new enemies, and a plot for revenge this drama unfolds addressing several relationship issues; communication, honesty and trust among them. The story takes readers into the complex mind of Dr. Jonah Morgan, a man who’s dedicated his life to physically healing children, but he’s emotionally and spiritually sick himself. And can his wife, Faith, keep the “faith” after Jonah’s accused of sexual harassment? Or when a woman’s fed up, is she truly fed up? Find out in Secrets and Lies, coming December 2009 from Urban Christian Books.

Click here to read or listen to prequel to the novel...

Tuesday, February 17, 2009

I'm Not Published Yet


Story Structure: Pressing Through the Middle

by
Tyora Moody

If you are reading this article, you may have written the first chapters of your book and like many writers, you've reached an invisible wall. You've been wondering how you can stretch your story idea to 85,000 words? When you think about it, there's a bit of pressure to keep a reader's attention from beginning to end.

For my first manuscript, When Rain Falls, it took me months to get past Chapter 10. I kept revisiting the previous scenes and trying to figure out where to take the story next. I eventually pressed my way through to the end. I will share a few techniques that helped me keep the story flowing.

1. Adding Conflict
Life is messy. You really can't avoid conflict. I recently re-read the Book of Job. If you are familiar with this Old Testament story, you will recall life was all good in the neighborhood for Job. He was wealthy, blessed with ten children, well-respected among his colleagues and he loved God. The antagonist (or villain) stepped forward to spice the story up. With permission from God, the greatest adversary of all time, the devil, brought one catastrophe after another on poor Job. The chain of events happened with such swiftness, Job barely had time to catch his breath. There are many biblical lessons from this story, but the one a writer can take away is the art of making life difficult for your protagonist (main character).

For a mystery or a suspense thriller, the villain, may appear periodically, sharing their diabolical plot. The reader can see what the killer is plotting, having knowledge that the protagonist doesn't have. In a suspense book I read recently, the author took the time to introduce a character in the first few chapters. To my horror, in the middle of the book, this really likable character was killed. The plot twist upset me, but it also motivated me to really want to find out who was the villain.

Now, it's not necessary to have a bad guy or villain to bring in conflict. If you write romance, you know even with love at first sight, a man and a woman are going to bump heads at some point. Maybe the man mislead the woman by not revealing the whole truth about his past. What if the woman's ex-boyfriend returns town? There are variety of ways to keep this couple apart, even though they are clearly attracted to each other. Just be creative and think of new ways to write the storyline with a twist.

2. Add Subplots
Subplots help strengthen the main plot as well as lengthen the word count. By the time I started the second draft of When Rain Falls, I realized that I could work in more scenes with my protagonist, Candace, and her two children. She is widow who has become attracted to the male protagonist in the story. The problem. Her teenagers are old enough to remember their dad very well. Accepting another man in their mom's life would not be easy, especially since the tragedy was still in the not too distant past. Adding this subplot, allowed me to deepen the character development as well.

One thing about subplots, you don't want to get to far off course from the main plot. I ran into that trouble and needed to remove scenes so I still kept the "who-dunnit" part of the story in focus.

Just remember your characters have families, friends, jobs, co-workers, etc. Use current events like the economy or global warming to add depth to the storyline and make it relatable.

3. Add Supporting Characters

You can probably think of a movie where the supporting character almost stole (or did steal) the scene from the main character. You don't want that to happen, but don't forget you can use supporting characters to strengthen the story. I mentioned adding more scenes with my protagonist' children above. I also included two older women in the protagonist' life, with woman bringing comic relief and the other one sharing wisdom. Each woman had their role in Candace's life during certain pivotal moments of the story.

Now you have to be careful not to build a cast of characters until you acquire enough skills to not confuse yourself and the reader. Not many authors can write multiple points of view without at some point confusing the reader. There are some books I've read where I have had to flip to previous chapters to figure out where did this character come from and what was his/her purpose in the scene.

Keep in mind that word, "purpose." Don't add characters just to lengthen the story. Be sure all scenes relate back to the main plot.

4. Take a break.

Okay, so this suggestion isn't very literary. Sometimes you have to put the story down. Maybe you need to revise your outline. You might need to cut a character. Get a notebook and brainstorm scenarios. Read books and study how particular authors keep the momentum going in the middle.

One of my favorite references for structuring a novel is Plot and Structure by James Scott Bell. He provides way more tips for beefing up the middle than I do in this article.

A lot of writers mention they already know the ending of the novels. It's just getting there is hard. Next month, I will talk about endings. Even if it is a rough draft, it's always exhilarating to be able to type "The End."

ABOUT THE AUTHOR

Tyora Moody is the editor of WrittenVoicesBlog.com where she features “AA Literature that Edifies the Soul”. She often finds herself trying to juggle various hats on her short frame. Those hats include being a military wife, writer, blogger, book reviewer, web developer, and “momma” to two spoiled cats. Follow her journey to publication on TyoraMoody.com.

Tuesday, February 03, 2009

I'm Not Published Yet


Respecting the Message
Anyone with aspirations of becoming a published author has at least one story idea that excites us every time we think about it. When we share our ideas with others who seem intrigued by our creativity, we get an adrenalin boost. But when it’s time to write that story, we have to remember that every story to tell has a message that we writers have to respect.

Respecting the message means we should be willing to learn how to tell our stories. Yes, God may have given you a vision for your story, but it’s your responsibility to educate yourself on how to make the story the best it can be.

Would you like to be known as a writer who is difficult to understand, or one who is straight to the point? Would you like to be known as a writer who uses lots of words but really doesn’t have much to say, or one who keeps the reader’s interest from the first sentence to the last?

What do you want your reader to learn? Is that lesson clearly coming across, or is it confusing to the reader?

Say you make out your grocery list and write down bread. If you are the one doing the shopping, you already know the exact brand of bread you want. But what if you hand that same list to someone else to do your shopping for you? That person then has to interpret the type of bread you want because reading the list doesn’t make it clear. If you write down one loaf of Veronica’s Heart Healthy Wheat Bread, then the person reading your list knows exactly what you want.

Think about letters or emails you’ve written to another person. Consider the times that you’ve searched for the right word to express your emotions. You know what you want the reader of that message to feel. Whether you are trying to encourage them or admonish them, you know what words do the job. Writing a story is no different.

Respecting the message also means respecting oneself. Do you really want to sign you name to writing that is shabby, unclear and confusing? Don’t allow pride to keep you from asking for help when you need it, or from heeding advice from another writer or an editor you respect when it’s clear that changes they suggest would make the story better.

Finally, respecting the message means respecting your audience. A reader will know if you are a person who takes the time to research your setting, your character’s occupations, or historical facts. A reader will know if you care about their time because you have labored to give them a story worth reading and remembering.
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About the Author

Veronica Fields Johnson is a freelance writer, trivia buff, game show enthusiast and avid reader. She is a graduate of Clark Atlanta University and the President of the Visions in Print chapter of the American Christian Fiction Writers organization. She lives in Atlanta with her husband and two daughters and is currently working on her first novel.

Thursday, January 29, 2009

Manuscript Submissions...Oh dear

I found this horrifying picture of an editor's slush pile at a publishing house. Pretty scary. If you're sending off a manuscript in 2009 make sure it's top notch work. It takes forever to get pulled out of the pile and the editor or reader is going to give you one paragrah worth of reading to determine if they'll read the entire page. Once they make it past the 1st page they'll keep going to 2, 3, 4, and 5. So that first paragaph and then first five pages has to absolutely grab them. Literary agent, Noah Lukeman wrote a very good book, titled exactly that, The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile to help aspiring writers understand what an editor or agent is looking for. DO NOT MAIL OFF A MANUSCRIPT without reading this book. Really, don't.


Also, if you don't have a good critique partner(s), considering having a free-lance editor look at it first. It could save you time, postage and lots of praying about your baby as it waits in the slush pile.

I'm availabe at Legacy Editing and I'm having a New Year sale that ending soon!

Tuesday, January 20, 2009

I'm Not Published Yet


Story Structure Part 2: Beginnings

by Tyora Moody

In The Beginning ...

Anyone familiar with the first chapter of the first book in the Bible, Genesis, will recall these three words. While simple, the words in one breath, dramatically draw the reader's attention into a powerful event. With further reading, God is center stage and He "speaks" the world into existence. As a writer, it should be noted the power of words, and especially the awesome task of writing the beginning or if you want to think in theatrical terms, Act I.

In the last article, I talked about the two writing styles. Whether you are a pantser or a plotter, you will spend quite a bit of time editing those first few chapters. Why? Because these few chapters are not only crucial to potential readers, but you will eventually have to impress an editor at a publishing house or an agent. Currently, the economy is struggling and publishers are trying to stay afloat. That means books are clearly being perceived as luxury items as people continue to monitor their budgets. Your writing has to stand out starting from the first page, the first line, and in some cases the first word.

I can honestly tell you, for my first manuscript, I spent way too much time crafting the first ten chapters. At some point, I realized I need to get past the first one-third of this book. Along the way, there were some key points I learned. Below you will find five checklist items you should keep in mind for the beginning of your novel.

1) Opening Lines - Hook Your Reader. The opening lines are really important not only for the first chapter, but every chapter. You need to write well-crafted sentences that will hook the reader. These sentences may take some work, requiring that you sharpen them over and over again until they flow with purpose.

Here are a few first lines to ponder:

Rachelle Mitchell Covington felt both giddy and guilty.
-- First Line, Chapter 1 of The Someday List by Stacy Hawkins Adams

Rayna's eyes welled with tears as feelings of loneliness and disappointment overtook her emotions.
-- First Line, Chapter 1 of Married Strangers by Dwan Abrams

The worst day of my life was the day I caught my husband cheating on me.
-- First Line, Chapter 1 of My Soul Cries Out by Sherri Lewis

I hate demons. A dang-gone demon kept me from eating my French fries.
-- First Sentences, Chapter 1 of The Exorsistah by Claudia Mair Burney

No one would miss me. They never did. And that was okay because I'd made up my mind. I was never coming to the ballet class again.
-- First Sentences, Chapter 1 of Rhythms of Grace by Marilynn Griffith

After reading the first lines above, you can probably tell the genre and without even flipping to the back of the book, you've been clued into some powerful events and emotions that are about to take place. Those are just a few lines! That's what you need to aim for as you begin a chapter.

2) No Backstory. Most writers when they start a story for the first time, may be guilty of this one. Backstory is the events that happened off-stage or in the past. The first chapter is not the place to try to explain the character's background. There are ways with well-crafted sentences to include a small tidbit here and there about the background information, but you don't want to dump it all on the reader in the beginning.

Whether you write suspense or romance, just save the information, and try to include some mystery or suspense about the character. Information can be revealed later in the story where appropriate. Just remember your focus, in the beginning, is to draw the reader's attention into what's going on NOW!

3) Introduce your Protagonist. You may have a cast of characters, but usually there is going to be a main character or protagonist who really drives the story. How you present this person, whether through first or third person, plays an important role in the story set-up. Do you want the reader to empathize with the character? Or do you want the readers to love to hate the character? You definitely want to be sure to work on the character development.

Don't start a character off being sassy and then later she starts acting mousy. Through the character development process, you should have a really good understanding of her personality, so you can keep the behavior consistent. Sometimes a conflict or struggle may cause a character to stumble, but the personality should still be recognizable.

4) Bring the scene to life. Learn the art of show, not tell. This technique is another whole article. I still find myself having to work on this when I edit. You want to capture the reader's imagination and bring them into the story. This is usually done by honing in on the senses (sight, touch, smell, hearing, taste).

You have to be careful about being too detailed. I discovered depending on the genre, some writers can get away with more description then others. For example, if you write speculative or fantasy fiction, you really have to paint a vivid picture because you created a totallly fictional world. If you are writing a historical, you are going to have to spend some time bringing that particular time period to life in the reader's imagination.

5) Don't Stop! Have you start the first few chapters of a novel and then stopped? Maybe you edited those first 50 pages so much that now you are not really sure what to do next. Most proposal or queries only require the first three chapters. Those pages you wrote are probably impressive enough to attract an agent to ask you for your full manuscript. Can you see a problem here?

You have to push past the beginning. My advice is to write a rough draft, and then go back to edit. The more you write, the more you will develop editing skills along the way. What is most important is to TELL THE STORY, beginning to end.

Now these are just five pointers I've learned, but for a real expert, check out The First Five Pages: A Writer's Guide to Staying Out of the Rejection Pile by Noah Lukeman.

Also during the beginning stages, it's important to format your manuscript properly. Believe me, this was one of the first steps I took and it really helped. When I decided to submit my manuscript to a few contests, I didn't have much to do as far as the formatting. As a matter of fact, I received great scores for the formatting if nothing else. LOL! This is another book you should have on your bookshelf. Formatting and Submitting Your Manuscript by Cynthia Laufenberg.

Next Month on Urban Christian Fiction Today, I will continue part 3 of this story structure series. So, keep writing, push past the beginning and get ready to conquer The Dreaded Middle.

ABOUT THE AUTHOR
Tyora Moody is the editor of WrittenVoicesBlog.com where she features “AA Literature that Edifies the Soul”. She often finds herself trying to juggle various hats on her short frame. Those hats include being a military wife, writer, blogger, book reviewer, web developer, and “momma” to two spoiled cats. Follow her journey to publication on TyoraMoody.com.

Tuesday, January 06, 2009

Editing and Writing - They Ain't The Same Thing

Reposted from top literary agent, Chip McGregor's Blog where he answers questions about writing, publishing, and marketing.

I thought this was a particularly interesting one, because as a free-lance editor I talk to clients all the time that have had a botched editing job from an author. I have to agree with Chip 100%. I know it seems that the two should come from the same place, but editing and writing are completely different. Now that being said, I'm an author who edits and "me" thinks I'm pretty good at doing both. The jury is still out on the book and I guess you all will let me know what you think of Secrets and Lies when it comes out in December. I'm optimistic.

Here's what Chip had to say...

"Why do some people edit fiction with the wisdom of Obi Wan Kanobi, but when they write their own novels they have the mentality of Forest Gump?"

Because editing and writing are two different skills. They are related, but not the same. A great songwriter isn't necessarily a great singer. A world famous choreographer may not be one of the best dancers. I know you're a sports fan, and one of the things we've seen in sports is that a great player generally makes a lousy coach (in fact, in football and basketball, the best coaches were normally average or below-average players -- perhaps because the game did not come easy to them, they needed to study the fundamentals more, and thus became better at thinking through the game). So a great editor, one who really understands what it takes to work on a good manuscript and make it even better, may not be able to write a great novelist herself. And there's no shame in that. I'm 50, and as I've gotten older, I've developed a much better sense of the work it takes to become great at anything. Malcolm Gladwell has surmised that it takes about 10,000 hours to become really great at anything. So (to go back to our coaching analogy) you can bet the guy coaching and winning with a professional sports team really knows his stuff -- and, in fact, knows much more than all those dipstick fans writing letters to the editor and complaining about his team. The people making a living at singing are blessed by God with incredible voice and talent, and probably worked as hard as anyone else who becomes successful in a chosen career. I know that the people who dance professionally are SO good they expose the rest of us amateur hoofers. I've said it before -- the editors who last in this business are generally VERY good at what they do. Listen to them...even if they've never published a book.

I say, good advice. Contact me at Legacy Editing if you have a manuscript you'd like assistance with. I promise you won't be disappointed in THIS author/editor. :o)

Thanks for stopping by!

Saturday, December 27, 2008

Sell a book without writing a query letter???

Want to get your book in front of an agent without having to write a query letter? Of course you do. Here's your chance:

Firebrand Literary Agency is allowing you to take a holiday from querying. They believe the ability to write an amazing first chapter is a much more important skill, as a novelist, than the ability to write a good query letter. So why even bother with a query? That’s why we’re announcing the first annual FIREBRAND QUERY HOLIDAY—to support authors who want to spend their time and energy perfecting their manuscripts and not just polishing their sales skills. We want to read your first chapter. Click here for more...

I say if you've got a finished, polished manuscript, go for it!

Thanks for stopping by,

Rhonda

Tuesday, December 23, 2008

I'm Not Published Yet


Story Structure: Getting Started
by Tyora Moody



It's a new year around the corner. Maybe last year's New Year's resolution or goal was to write a novel. Don't despair. You're still here, despite any bumps and bruises from this past year. If God has instilled a deep desire in you to write, take some time to organize your goals again. My goal is to encourage you. I'm not published yet, but I have two manuscripts, one in which I plan to start submitting to literary agents in 2009. I'm very excited about the process because I stopped writing for several years.

A few years ago, I was talking with a woman from my church. I made the mistake of confessing to her I wanted to write a book. She proceeded to ask me a question that put a damper on my spirit. "But Ty, there are so many books in the world, what could you write that's any different?" Yeah, that's a real "encouraging" statement. I want you to believe you can get over the hurdle of writing your first book. For the next few articles, I will spend some time on story structure.

Creating a Story (Main Plot and Subplots)

The main plot consist of the series of the events that drive the reader to turn the pages of the book. If you have a story idea and you are also a reader, you might have noticed there are quite a few similarities in most stories. Let's look at two.

Boy meets girl. Boy falls in love with girl. Girl break-ups with boy. Boy and girl make-up and get married. How original is that story? Well, that's the underlining plot for most romance novels. Still, romance remains the most popular genre.

Same with mystery. Somebody was killed. Several people are suspects. The real murderer is found.

According to some research, there are only 36 basic plots. Those novels that get published have something about them that set them apart from ever other story. Paying particular attention to your character development and adding subplots that support the main plot can set your future novel apart. Okay, so how do you come up with stories?

Exploring Writing Processes

Once I started letting people know I finished a manuscript, they wanted to know how I did it. In all honesty, just like DNA everybody has their own particular process for structuring a story. Discovering a process that worked for me, made all the difference when it came to writing the second manuscript. There are two main writing processes and in some cases the processes will overlap depending on the writer. Now what I'm introducing does not include all the little bitty "things" a writer might do (playing music, writing in a coffee shop, morning vs. night writing, etc.) to really set their process apart from another writer.

A. Seat of the Pants (Pantser)

This style I can say is NOT me and also happens to be the format I started with for the first manuscript. I think it's safe to say most writers start out this way when presented with a blank screen or notebook paper. With this process, the writer types up the scenes as they appear in their minds. They can sit at the keyboard for hours and write a reasonable set of chapters. Somehow the action flows from one scene to the next, making up a believable story.

I admire writers who write not really knowing what's coming next. Recently, for the NaNoWrimo contest, I tried this style. Again. I cranked out three chapters and then quickly ran out of steam. Mainly because I am NOT a seat of the pants writer. I fit in the other category.

B. The Plotter (Planner)

I write mysteries. It's important to keep up with clues and suspects. Some of those clues point to the real suspect, while other clues, known as red herrings, point to possible suspects. It took me a while, but I learned it helped me to keep track of the main plot and subplots by keeping a detailed chapter outline. Now when I start a manuscript, I have a pretty good idea of how many chapters and scenes I will need.

Now remember, I said earlier that sometimes the processes overlap. While I outline the chapters, I still have a blank canvas in front of me. This means my characters are still going to tell the story. They might decide to throw a wrench in the plot. That's okay, I will stop and refer back to the chapter outline and make adjustments.

So, Let's Do This!

It's almost the end of the year. I encourage you to grab a notebook and write down a few ideas. Do some of these ideas make sense as a main plot? How can you take your characters and create subplots to support the main plot? No matter what process you use to write, a little bit of planning doesn't hurt. Write a few chapters. It's okay to write bad. Don't worry about editing. Does the story flow easily from one scene to the next (seat of the pants)? Do you need to think about the scenes a little more with a chart or an outline (plotter)?

After the new year, I will continue talking about story structure. I'm looking forward to sharing more on the writing process in 2009. Keep me in your prayers. Next year might not be the best timing to submit proposals, but you never know, right? :)

Have a Blessed Christmas and Joyous New Year!
ABOUT THE AUTHOR - Tyora Moody is the editor of WrittenVoicesBlog.com where she features “AA Literature that Edifies the Soul”. She often finds herself trying to juggle various hats on her short frame. Those hats include being a military wife, writer, blogger, book reviewer, web developer, and “momma” to two spoiled cats. Follow her journey to publication on TyoraMoody.com.